Monday, August 24, 2015

Mythos Machine on the Go

So there I was, huffing and puffing my way around town this morning doing my chores and shopping and stuff.  I stopped off to get some scrambled eggs, potatoes, toast and a cup of coffee.  And of course read the paper.  A story caught my eye.  And gave me a startlingly cool idea for the Yellow Stone Campaign... that frequently happens at the most inconvenient times when I'm on the go.  I used to, if possible, jot down the ideas on a piece of paper, and hope that I don't lose it in the grand shuffle that is my modern life.

Now, thanks to the Mythos Machine, I can use my Smart Phone to log into the application, quickly route over to my adventure, and add the idea right there at the coffee shop table.  No longer do I miss these opportunities to include great ideas in my world.  And once added, they stick.   Later when I get home I can modify and refine the concepts as I see fit.  But the important thing is that the notes get added right then, when I think of them.

The other nifty aspect of the Smart Phone use of the Mythos Machine is that my phone allows me to dictate into the Mythos Machine using speech recognition.   Of course there's the usual misspellings but when I get home I can tidy things up.  The important point is that my notes get entered into the centralized repository for my world when I think of them.   And that's actually a marvelous feature.

On the downside, and there must always be a downside, and I believe it's always good to mention the downside as a reminder that 1) nothing is perfect, and 2) there are things to work on for the sake of continuously improving the quality of the site ... the Mythos Machine is not currently configured for Responsive Design.  So the Smart Phone version, while perfectly functional, is not form factored for the phone's screen.  Thus, it does require some scrolling and zooming in at times.  But frankly, the ability to add my ideas to my world, create new creatures, weapons, armors or equipment, or anything else, on the fly while I'm on the go ... just makes the darn thing incredibly useful to me.

You are welcome to try it yourself for free by creating an Open Beta account at

http://elthos.com

... I look forward to hearing your feedback on it.  If you'd like to learn more about the Elthos RPG Mythos Machine before creating an account (understandably so) please read the FAQ here...

http://elthosrpg.blogspot.com/p/elthos-faq.html

Thanks and I look forward to hearing from you!

Tuesday, August 18, 2015

A Quick Take on the Elthos Alignment System

I wrote this in response to a comment from Rick Stump here.

I have worked out my own version of the alignment system that deviates a bit from the norm (or AD&D at least). It is point based and the concept is that when characters do something it has both a law/chaos and good/evil aspect. The law/chaos aspect has to do with the legality or civilization or society impact of the action, whereas the good/evil aspect has to do with the motive. Points are assigned based on the action and the motive. So for example, Robin Hood steals from the rich (illegal and therefore chaotic) and gives the the poor (motive is charity). Thus his actin is Chaotic Good. He gets -1 Law-Chaos and +1 Good-Evil, and so Robin Hood is (-1 , +1). As the Character do things in the world, if they have a moral or legal implication I ask them what the motive was and record and sum their total Alignment. Thus as the campaign progresses their Alignments change according to their Character's actions and motives. What I've found is that most Players play their Characters as neutrals, bouncing back and forth between law and chaos and good and evil. It takes actual focus and determination to pursue an alignment path. I also have it that at certain levels (say over 10 L-C, G-E) the Deities begin to take notice of them. An interesting side effect is that Alignment then becomes its own pathway to success (or failure), and low level Characters can still manage to amass Alignment scores that make them "Somebody". It's interesting. I like the way it works. The only problem with it is that it adds another bit of accounting that needs to be done during the course of tallying up Experience. Not a big deal, but then again, its another thing to remember to do. But that's really the only problem I have with it. Other than that, it really does add something a little special to my game. That said, thus far, I have not made extensive use of the Alignment System. I've been so busy working on various aspects of my project at various levels a few things tend to slip through the cracks. The use of the Alignment System has been, therefore, a bit spotty. I should, now that I think of it, get back to using the thing. It's not required, but it's a fun little doodad that I can use in a number of ways throughout the course of the game.

It also ties in, I should add, with my system of Tarot-Astrology which is represented by the backface card of my Elthos Tarot Deck.  At that point the story about Elthos Alignment  gets a bit involved so I think I'll leave that aspect for another day.  This is already getting a bit tltr as it is.  :)

Wednesday, August 12, 2015

Rikshaw the Rat Man

If you happen to be down under Yellow Clay then you might happen to chance upon Rikshaw.  He's a nice enough fellow, but you'd best keep an eye on your stuff.

Friday, July 31, 2015

Elthos RPG Beta Test Report - July

Hi everyone.  July has seen some significant progress in the development of the Elthos RPG and supporting Web Application known as The Mythos Machine, and I'm quite happy to say that the feedback I've gotten has been tremendously helpful. Among the items that have been improved or are currently being worked on:

1. Beta Video Tutorials have been created and linked to a InfoGraphic display of the Primary Features of the Mythos Machine.
2. A variety of forms have been improved to make the application more attractive and more responsive.
3. World Templates have been added and I now have two, Fantasy and Wild West to select from. More will follow, one for each genre.
4. Site Administration and Reporting has been improved.
5. Rules Book Updates have been ongoing and I am now on Version #8 of the Final Draft (oxymoronic in a way, but ... )
6. Some minor bugs were crushed.
7. Improvements made to the World Print Report. New options for output were added, and filters improved.
8. Working on but have not completed a re-rationalization of the Magic Categories System.
9. Planning for the Wandering Monsters System drawn up and reviewed.
10.  I produced a tidy little FAQ regarding the project.

So, I'm making steady progress with it, although I admit it feels like I'm moving at museum speed. I also have to say that the revised Beta is working somewhat better than the Beta 24. It seems that it will be a slow pick up in terms of getting people on the system and trying it out. For one thing, we've had the big lead up to GenCon 2015 and my guess is that almost everyone who is into RPGs is there at this point... except yours truly, and I guess the rest of us who couldn't make it this year. So I can't expect to make much of a dent with the Beta Test at the moment. Understood. Still, I will keep trying.

My guess is that Elthos will be among the early crop of a new breed of GM Helper Software products, and it will take some time for these tools to become well known and popular. There's a lot of hurdles ahead. Pricing, marketing, and improving the products will take a lot of work, and probably a considerable amount of time to build up steam and take off. I'm ok with that. For one thing, I don't feel a dreadful need to rush ahead. Anyone who knows me and has followed the Elthos Project will know what a wonderful understatement that is. For those who don't, I started working on this project in 1978. In 2004 I taught myself programming in order to create GM Helper software based on my Elthos Rules. By 2000 I had a fully realized feature rich Visual Basic application that does a lot of what you see today in terms of features on Roll20, Fantasy Grounds and other similar applications, and quite a bit more that you don't see.

Unfortunately, the original Elthos Gamesmaster's Toolbox application was written in Visual Basic, which means that it was simply too buggy to send out into the wild. I tooled around with it and used it for my own games for half a decade before deciding to shelve it for the next big thing. So in 2006 I started work on a mini-system called the Elthos "One Die System" for use by the Literary RPG Society of Westchester, and then in 2007 I began programming that system for use via a Web Browser. My goal was to create a light weight mini-system that would be easy to learn, and easy to run, providing GMs with the ability to create their own Worlds based on the Elthos RPG rules. That system is called The Mythos Machine, and I've been using it among my friends since 2009, making various updates and improvements and making sure that the Rules and the Mythos Machine are coherent and work nicely. So far so good. I'm now in Open Beta and looking forward to people trying it out and hopefully getting useful feedback.

Ok. Back to the salt mine here. For those of you at GenCon  have a great time! I'm totally jealous.

But for those who are not at GenCon and maybe looking for an interesting RPG thing to check out ... Elthos RPG Mythos Machine might just be the thing. Please take a peek and let me know what you think of it. 

You can find it here: http://elthos.com

Just click the floating Cosmological Map card to get started, and make a free Beta account for yourself. Scroll down the Main Screen to find the Beta Tutorial Videos to get an idea of what the Mythos Machine is about. I do hope people will find it fun to use and useful!

If you want to get a quickie idea of what the Mythos Machine is about you can check out these videos which shows off a little bit about the Mythos Machine's Primary features...

Player Viewpoint
Create a World
World Configuration Options
Create Places in your World
Create Campaigns in your Places
Create Adventures in your Campaigns
Manage the Things of your World
Manage Races of your World 

 Enjoy!
:)



Tuesday, June 30, 2015

Why I love Elthos RPG

When I discovered D&D as a freshman in high school back in 1978, I immediately wanted to Gamemaster my own World. That was my instant reaction. I was duly informed that our town’s Society of Gamemasters was strictly Anti-Gygaxian (for a variety of reasons, not including that we didn't like OD&D, though we all admitted it had its flaws) and while you could use the three original rules books to do so, it was required that every GM create their own rules system. And so, Elthos was born in 1978. Naturally, like all good parents, I love my baby.

What Elthos had going for it in 1978 are still features that I like today. Elthos' foundations are loosely (very) based on the original three RPG booklets, and so it has the classic RPG tropes of Classes, Races, Hit Points, and so forth. Nothing unusual there. However, under the hood it’s a lot cleaner and more modularized than OD&D. What I wanted from my RPG was a system that could expand indefinitely without my having to add a new chart every time I wanted to add a new skill or weapon, or power to the thing. It uses a tidy little General Resolution Matrix as the core mechanic for what we moderns call "Conflict Resolution", the same one that I created in 1978. The idea is that every action has an associated Skill and conditions which create a Level of Difficulty. So the odds of success for all actions can be summed up as a ratio of the Skill Level vs. the Difficulty Level. It’s simple, flexible, and I'm pretty happy with it. Because, of course, it’s mine. Or maybe because it's a good system. Who knows?

Like most parents I dote over Elthos quite a bit, and have tried my best over the years to see that she develops into not only a wonderful rules system, but also a wonderful World. I am probably overly proud of her to some degree. The fact is, I have been Gamesmastering Elthos for a little over 30 years now, and I’m still having an absolute blast with it. RPGing is one of the best hobbies ever created. I honestly think so.

After a long stint real world adventures wherein I hitchhiked around America for about 10 years, and did some very fabulous world travel after that, I met a Japanese-German aristocrat-wizard going by the name of Count Lowengrin VIII, who gave me my first medieval classic as a gift; Tristan & Isolde by Strassboug. He suggested that if I liked it (which I very much did) that I should continue in that vein by following the trail of books listed in the bibliography. That led me on to other medieval classics such as Parzival by Von Eschenbach, The Quest for the Holy Grail, Sir Gwaine and the Green Knight, Piers the Plowsman, The Death of King Arthur, The Ladder of Perfection, and many, many others. After I devoured every medieval classic I could get my hands on in second hand book shops, I went in for Greek, Roman, Biblical and Sumerian Literature, finally circling back around to give Medieval another grand pass after about 10 years of prodding bookshelves across the country. So, another thing that I love about Elthos is that she has encouraged me to become something of a scholar on the topic of Classical Literature. Naturally, this all has helped me considerably with the story aspects of my game and it’s been quite illuminating in a number of ways I won’t go into here.

After my stint on the road I decided to go back to college and get a Bachelor’s Degree in History. I graduated with Highest Distinction and was accepted into the Fraternal Society of Historians, Phi Alpha Theta. This too was motivated by my love of Elthos as I wanted to be able to Gamesmaster Campaigns that had not only a literary flair, but were also, to whatever degree practical for gaming purposes, historically grounded, at least in so far as I understood things such as medieval engineering, how kings and queens operated amongst the nobility, what peasant life was like, and that sort of thing. I was interested in the grand sweep and panorama of the historical process, and how civilizations are born, thrive, get old and eventually die. The highlight of my college experience was my ‘Student Year Abroad’ wherein I found myself studying Ecclesiastical History, Latin and Medieval Studies at Edinburgh University in Scotland. That was utterly grand. I took the opportunity to travel all over Britain, Holland, France, Austria, Germany and Greece looking at ancient castles, ruins, cathedrals and cities. All to the good of my Gamesmastering Elthos. In addition to my study of history, I also became an avid fan and student of Political Theory and studied Thucydides, Socrates, Plato and Aristotle, among quite a few others. I was so enamored by Political Theory, in fact, I was offered a chance to skip taking a Master’s Degree and got accepted directly into the Ph.D. program for Political Theory at Boston College. I declined the offer, but Political Theory gained a strong undercurrent in Elthos. It’s a fascinating subject, that had it not been for Elthos I probably would never have encountered.

The Elthos World evolved over time, beginning with The Iron Legions of Telgar Campaign in 1978, and progressing to The City of Stone Campaign by 1986, and then evolving into the Korack Campaign by 1994, and finally the Hamfest and Hobbington Campaigns of the 2000’s. The style of the World is a fusion of medieval and celtic fantasy, Arthurian Romance, fairyland, and science fiction. It’s formed one continuous three decade story, some of which I took the opportunity to record and transcribe into several novel sized books (263,000 words comprise the written version of the 2011-2013 Hobbington Campaign). These books are enormously fun for me to read, and they may actually even be enjoyable in their own right. I’m not sure. But at any rate, I really enjoyed writing them and posting the chapters to my blog. So in this sense, I love Elthos because it’s creative inspirations take on myriad of forms, inspiring me to become a writer, artist, musician, cartographer, improvisational actor and a poet, all of which I’ve used in my games.

Naturally once I graduated from College I had to find gainful employment of some sort. History was not going to do, nor was Political Theory. These are wonderful studies, but in 1994 it seems increasingly clear that there was not going to be any money in either, and the best one could hope for would be a marginal chance of making a long term career as a tenured professor. That might have been an idyllic life for me, in theory, but other concerns turned me aside, not the least of which being that I had already spent 10 years on the road and so was about a decade behind in career building. So after graduation I was casting about for what to do. I hadn’t much of a clue, frankly. But once again Elthos gave me an interesting idea. In 1994 I began working slowly but steadily on developing Gamemaster Software. My desire to create Gamesmastering software for Elthos impelled me into my next career – Software Engineer. I mean how much can you ask from an RPG, really? I think I’ve gotten my money’s worth!

But still, the story goes on. In 1994, after a two month stint with my friend David Kahn learning the basics of DOS in Minneapolis, I began to self-study QBasic at my kitchen table after work, and created my first set of Gamemaster programs; a random monster generator, and my first on-screen hex grid with moveable “pieces”. At that point I had begun the (unexpectedly long term) task of programming the Elthos Rules into a Gamemaster utility I called The Gamesmaster’s Toolbox, in Visual Basic. Those of you who know my nom-de-plume may guess what my opinion of VB turned out to be ere the end of that process.

Thus my work on Elthos translated into a 20 year stint as a professional Programmer/Analyst at a mid-sized Corporation in Connecticut. All the while I tinkered away at the Elthos Program during my off hours. First I created a full blown and incredibly comprehensive Gamesmaster’s Toolbox in Visual Basic, which took me from 1994 until 2000 to complete. Although I thoroughly enjoyed the challenge of programming the GM Toolbox, and used that as impetus to teach myself database design, SQL, and ASP, all of which rocketed my career forward, and I think the project has some interesting features that I still haven’t seen anyone else tackle, Visual Basic, if you don’t know, is kind of a broken and peculiar language that people love to hate for good reason. And so, despite the Gamemaster’s Toolbox’s wondrous charms, in the end I couldn’t see sending it out into the wild, despite six years of work on it. It was simply too buggy and I figured I’d get buried under an avalanche of tech support calls. Oh well. Shrug it off and move on. Instead of putting it into the public domain, I simply chiseled away at it, simplifying the back end code, rationalizing the database structure, and adding what I felt were cool and interesting features for another six years. Yay for me. I’m pretty sure at this point history will conclude that I probably didn’t handle this in the best possible way so far as getting Elthos published is concerned. Ok, don’t rush me. I’m a slow-poke, I know.

All that said, I did do at least one very interesting thing with the Gamemaster’s Toolbox. I ran an RPG Game Club for kids through our local Community Center, and another one through private contacts, and in total made about $2500 Gamemastering overall. I wanted to prove that it is possible to make money at Gamemastering. The reason is because I’m convinced that in the future it will form the foundations of a new entertainment industry of live Gamemastering in conjunction with the advanced technology of the computer age. It’s a hunch, and I feel that with Elthos I was able to take the first step in that direction. So I can add this to the list of amazing things that Elthos helped inspire me to do.

Another thing that I should probably mention about Elthos that I really like is the Alignment System that I worked out for it. I was rather put off by the original Alignment System stuff from early editions of D&D because they seemed to be too static, and too restrictive on the Players. But I did like the concept of Alignment, I just wanted it to work differently. What I did was worked out a mathematical way of tracking Alignment, and using the idea the two axises to formulate a metaphysics that could form the basis of that system. So when Players do things with their Characters that have moral (good vs evil) or metaphysical (law vs chaos) implications I find out from them what the motive of the character was (can be things like 'friendship', 'altruism', 'revenge', 'adventurousness', etc) which have a Morality Rating, and that sets the Good / Evil value, and I assign the Metaphysical according to the the nature of the event. So for example, if Robin Hood steals from the rich to give to the poor, it is stealing which is Chaotic (-3 LawChaos), but the motive is Charity which is Good (+2 GoodEvil). That makes Robin Hood's action Chaotic Good, and his Alignment changes by that amount. So if he started the game at LC 4, GE 3, he would be at LC 1, and GE 5 when he does his thing. So instead of telling players "No, you said you're Lawful Good so your Character can't do that", I simply ask, "What was the motive?" and then chart it out. If the Player really wants a Lawful Good Character they can certainly have one - so long as their Character behaves accordingly. Naturally, when the numbers get to certain levels then the Deities may notice and begin to interact with the Character based on their Alignment. I should note that after 30 years or so of playing Alignment this way, I've found that despite what many Players say they want, most turn out to hover around neutral for most of their careers. Interesting.

Also, in relation to this, I wanted to have my Alignment System tie into my Metaphysical system for my World as well. To this end I spent a number of years researching the Tarot and Astrology, numerology and Kabalah to try to put together a system of symbols and correspondences that would serve a useful purpose for me as Gamemaster. A problem that I had GMing for the first decade or so was that I wanted to have some sort of underlying symbolism in my World that made some sort of sense. So when the Priest stood up on the dais and pronounced that the Eagle Flying from the West means that some great event was going to happen, that it would actually be symbolically significant, and if you as the Player understood the symbolism you could correctly interpret the events. Kind of esoteric, but I thought it would be a grand thing to have. So after a number of years of tinkering around with it I finally managed to work out which alignments fit with which astrological signs, and from that which tarot cards go with which signs and planets, and so on. The final result is the Elthos Tarot Deck. The artwork was done by Jason Moser, and he did an amazing job, and I think the Deck looks great. You can see the back facing card showing the Cosmological Map at the top of my post. It ties together my metaphysics and my Alignment System and gives me a symbolic framework which underlies the spiritual aspects of my World. Kinda fun. I've used it to good effect on numerous occasions and it's another thing I love about Elthos.

In 2006 I founded the Literary Role Playing Game Society in Westchester, NY, with the objective to tackle the question “How can we make our Worlds higher quality, and obtain more literary aspects with our Gamemastering?” So this was another offshoot of my work on Elthos, and through it I made a host of new friends with whom I held a long string of really fabulous meetings at our local pub talking Gamesmastering. Lots of great ideas came out of those discussions.

In the process, I realized it would be quite cool to have a mini-version of Elthos to try things out with in the pub, unobtrusively… my new goal was to make an RPG Mini-System. So I started work on a complete distillation of my original Elthos Rules, and came up with The Elthos “One Die System” that uses one six-sided die to run the entire game. It took me about three months to figure out how to do so with the required amount of elegance. Every aspect of the original rules was either shaved off, or shrunk down to tiny size. Attack Levels go from one to six. Armor Classes go from one to six. Weapons do 1d6 plus or minus 1, depending on size. The idea was to create a rules system that uses small numbers and as few charts as possible to run a full blooded RPG World. I wanted it to be genre-neutral as well so I could use it to run any kind of Campaign I may come up with in the future. Wild West with Magic? No problem. Sci-Fi with Space Giants? Yup, can do. And so on. And by using what I call tiny-numbers math it would also make it possible to Gamemaster the Elthos ODS in my head without too much strain. I wanted to get past the days of heavy number crunching and brain fatigue by the end of a gaming session. Those were the design goals for the Elthos ODS. As the original Elthos was designed to be modular to begin with, it wasn’t all that difficult a task, comparatively speaking.

The funny thing is, we never actually used it at the Literary RPG Society meetings, but once it was in rough shape and seemed to work pretty nicely, it gave me another idea.

What if I programed the One Die System into a Web Application using ASP.Net and SQL Server? The new Elthos ODS would be far easier to program than the original system, and it could form a code base that would have the virtues of compactness and simplicity. By making it a Web Application I could host it online on one server, and any updates would automatically propagate to everyone who might be using the system. It would give Gamemasters a way to be able to build their Worlds online from anywhere, and also provide a way to allow Gamemasters to share their creations with each other. Bingo. That really sounded like a great idea. Thanks Elthos!

The programming and design work went quite well between 2007 through 2013. Once the basic concept was fleshed out in 2008, I began Play Testing it with some friends. That went on for quite some time, and between 2008 and 2015 I have played somewhere around 300 games with it. During this period we ironed out various kinks and whatnot, and at this point, to be honest, I like the ODS better than the original system. It does everything that the original system did, only much more simply. It works very nicely for me and I’m pretty happy with it. The Mythos Machine has almost all of the features that the original Gamemaster’s Toolbox has, except for the Virtual Table Top mapping utility that lets you paint maps with different terrains that keeps track of movement, and the part of the original application that ran and tracked combat. I decided that I should focus the Mythos Machine on being a Gamemaster Prep Tool, rather than bring in the Virtual Tabletop aspect of the original Gamemaster’s Toolbox.  Good choice?  Bad choice?  Who knows?  But the truth is, I still have the original Gamesmaster's Toolbox code and it's really not all that difficult these days to convert over to the web.  So I'll probably get around to it, if I get far enough.  Of course since I function at museum speed it might be quite some time before I get around to that.  We'll see.

In 2014 all the features for a Phase I deployment were complete and I named it The Mythos Machine. I then upgraded the Mythos Machine in order to augment it with additional dice options which I named the Opti-Die System (still ODS), and added a number of other enhancements and features that were not part of the original Gamemaster’s Toolbox. Finally, I decided to go whole hog and share it with others on the Internet, and so it will go into a Rolling Open Beta in a few days. I’m pretty excited about it. For those who may be interested in what the Mythos Machine feature set includes, you can take a gander at this Diagram which outlines its primary features.

So, what do I love about Elthos RPG? Not only is she a great RPG system, and a wonderful World, but she’s the also been the foundation of my studies, my career, my writing, artwork and poetry, and as far as I’m concerned, in her totality she represents a solid step forward as a representation of the RPG as a new art form for the 21st Century. My hope is that she will continue to prosper and add many joys for myself and others in the years to come.

Friday, June 26, 2015

Thoughts on Modes of Gamemastering

I've noticed that I have two modes of Gamemastering my games. One is where I kind of carry some of the load for the Players, which I might call Aegis Mode, and the other is where I'm playing, in essence, no-holds-barred, and out to defeat the Players, which I think I'll call "Danger Mode". Why and when to play one way or the other?

In the first case there are sometimes good reason to pamper the players a bit. Some examples are... when the Players are new to a system, and they are likely to miscalculate things like their chances of success in combat. Another case is where they are playing only once a month and so their ability to remember the story is a bit tenuous. Another is where the subject matter of the game may be an area of sensitivity to some players, such as those dealing with race, gender, or creed. In these cases as Gamemaster I might want to either help the Players to think more carefully, or help them steer clear of problems that might cause them to blunder into a disaster. Another case might be when you're playing with young children whose loss in the game could lead to along night of crying. And so on. To my mind these are a number of valid cases where helping the Players should be considered a necessary evil.

Why is it an evil at all, though? There might be considerable disagreement on this point out there, but I will give you my perspective without saying "this is the one true way" or the "only way" to think about these things.  It isn't. But it is how I think about them.

In my opinion the game is the most fun, and runs the best, when the Gamemaster acts as the principal Opponent to the Players. The NPCs, after all, should be acting as though they want to succeed in their goals just as much as the Player Characters want to succeed in theirs. This is important for two reasons. One it creates a certain sense of verisimilitude where the Players have a chance to further immerse themselves in the World. It is easier to suspend disbelief in a fantasy that behaves like a real thing. If the World's villains behave like they're pulling punches and not acting in its own best interest, they become very difficult to believe in at all after a while. And once you lose that sense of verisimilitude, it really is quite difficult to regain. It's an overlap of meta-gamiing, and usually is transmitted simply by "the sense of things" where the Players can tell over time that the Gamemaster is 'helping' them along. Maybe the attack by the Ogre that really should have crushed the hobbit under the iron banded club (by the odds and known dice of damage) just didn't kill him ... somehow ... unfathomably. And so on. The Gamemaster's ability to fudge the results of things is a double edged sword. Perfectly fabulous in hands that know how to wield it skilfully, but often disastrous in hands that don't. It is an acquired skill, but one worth obtaining.

The second reason that Aegis Mode can turn out to be an evil is because the game itself becomes more fun and interesting the more challenging it is, and far less so when the Challenges are removed by a Gamemaster who carries the Player's load with Easy-Outs. When the Players know that they can either win or lose, it enforces the notion that they must always play as smart as possible to maximize their chances. What happens when the Players are overly pampered by the Gamemaster, and they begin to sense it, is that they subconsciously begin to slacken their effort to play smart, and begin to rely on the idea that the Gamemaster will "not let us get killed". And so they may begin to take extraordinary chances in order to further their objectives in the World not because it's smart, but because "God is making sure we don't lose". It fosters, in other words, the dreaded condition of Dumb Play. And Dumb Play is a bad thing. I've seen more than one game disintegrate because after a period of Dumb Play all of the Players lost interest in the world. They could do no wrong, and whatever crazy dumb thing they tried somehow managed to succeed. Although some Players will claim that "That's what makes the game fun" and insist that this is the way the game "should" work... I find that for me, the opposite is true. Gamemasters should be very wary of spoiling their Players.

On the other hand "Danger Mode" makes the game more intense, and more exciting. When the Players see that their Characters are not immune to poor planing or bad luck, they tend to begin to Play Smart. This does not necessarily entail Min-Maxing, by the way. It could simply be that their Characters do more reconnaissance, better planning, and better preparation before lurching ahead into the Dungeon. Maybe they get smart by learning how to treat the locals like potential friends, so they can acquire better information about things they could and should know. Maybe they think ahead and purchase what could turn out to be life-saving equipment in advance of a delve down the Kobold Well. And so on. Playing Smart can be about selecting the advantageous terrain, or not simply crashing through the old wooden double doors, but listening for a while first to see if they can hear what might be on the other side. And so on. Smart Play is about maximizing your chances of success. We do it all the time in real life without even realizing it. And yet, it's there. So Players should be doing the same for their Characters by having them play as smart as possible. Unless of course their Characters are in fact, by their Requisites, not smart. In which case they would be justified by playing them as impulsive, overconfident and foolish. And also get them killed in a World where the GM is has not put an Aegis of protection over them. With a party of dummies, actually, that might be another legitimate reason to playing in Aegis Mode. Yeah, I could see a case being made for that. But I could also see making a case for doing the opposite. The question is, what will be more fun for the Players?

The bottom line is that you have to Gamesmaster what's fun. It's tricky because your mode of Gamemastering can not only change, but it can change fluidly throughout the course of the Campaign, sometimes pulling punches when bad luck at just the wrong time wold seriously demoralize the Players to the point where they give up, and yet at other times playing the Villains as the ruthless and cunning creatures they really ought to be.

Some Gamemasters set the rule at the outset of their Campaign. It is quite a good idea, I think, to tell your players up front what mode you intend to run your Campaign in, and stick to it. No matter what. This will create a better sense of trust between you and your players in the sense that over time they will know what to expect. You could say "No one knows the rules in this new system, so I'm GMing it in Aegis Mode for the first four games. After that, you better look out. I'm coming at ya." That would be fair, and also help to set expectations appropriately. But again, most often, I find that the smoothest way is to nuance things as you go and ride the wave as you see it coming. But this is also the hardest way, and the one most fraught with potential danger. Yet if you can do it, and it works, it leads to the best most fun games where the Gamemaster Mode is adjusted in the background, none are the wiser, and everyone winds up feeling that the adventure was "just right".

At the moment I'm playing a cut-throat Campaign. But I warned the Players at the outset that I will be doing so, and that the dice will rule, and that they are expected to Play Smart. So far... they ain't playing so smart, and they've had some bad luck, too. So far two Characters are dead and one is rendered magically inert under a pixie-dream and is being carried along, and the party has been split into three separate groups that have no way to stay in touch with each other. Ah well... their opponents on the other hand are crafty, clever, wily and quite ruthless. One wonders if they will manage to survive.

Especially if they don't take a moment to stop and realize that they've not been playing all that smart and that really ought to start doing so soon... Or not. As Gamemaster its often a good idea to be detached from your sense of outcomes. Many Gamemasters want a Good Story to come out of their games. But you don't always get a Good Story if the Players are Playing Dumb. Which is why its usually a good idea to set expectations regarding Game Mode early on, and to keep things challenging by staying in Danger Mode as much as possible. It fosters Smart Play.

So managing your Mode of Play is really important as a Gamemaster. It's not necessarily easy, and sometimes you're trying to do one thing, and the Players wind up playing it the opposite way... and you get to logger heads. Keeping that from happening, keeping the game flowing forward, in other words, is a key and critical skill for GMs to master.


Thursday, June 18, 2015

Thoughts on Beta Testing

I'd like to talk about my Beta Test, as the process has been a great learning experience for me. I'm working on getting the Elthos RPG and The Mythos Machine (my web application that supports the rules) out to the public soon, and have been running a small Beta Test, called Beta 24.

The Beta 24 Setup

I wanted only 24 Beta Testers so that I could manage the incoming feedback and not be swamped, and use the experience to find the most efficient ways of storing and managing the incoming information. This way I can learn how to efficiently categorize and prioritize the feedback and make the process as useful as possible.

To set up the Beta 24 I created a Google+ Private Community called Beta 24. I created a 12 Weekly Goals program that would take about 1 hour a week to complete. I provided a document on how people can communicate, with instructions for those who may not be familiar with Google+. The communications channels are:

1. The Private Beta 24 Google+ Community
2. Google Hangouts
3. Mythos Machine Feedback Button
4. Elthos Website Private Beta 24 Forum
5. Direct Email to me.

I got 24 people to sign up. In the first week 18 of 24 people filled out the survey and then I created a login for the web application and forum for them and sent it by email (this method was recommended by my marketing guru). I created SurveyMonkey surveys of 10 questions or less, one for each week's goals asking basic questions and for any recommendations based on the goals for that week.

The weekly goals:

Week 1 - Download the Rules PDF, reading it, and taking the survey.
Week 2 - Use the rules to generate a few Characters and run a few simple Combats
Week 3 - Go to the Mythos Machine and Create a World (video tutorial provided along with detailed instructions)
etc...

I also let on that I would be providing Rewards for feedback - either in the form of thank you artwork, or through the accumulation of Awesome Points which would be redeemable in free service at a rate of 1 month per Awesome Point, though this idea is more intimated than clearly defined as I'm still working out the best way to do that. Note: I kind of rushed into the Beta to try to beat the Con Season... not necessarily the best idea, but I also feel I need to push forward and this is an effort do "get going" even if it isn't perfect. So not all the details have been worked out - but I consider this Beta as a Beta of my Beta Testing process, so to say. As I have very few Beta Testers I am hoping that the "working this out" part wouldn't be too disruptive... though in retrospect, I think this is possibly another contributing factor to the lack of responsiveness. The more organized and professional a process is, the more likely it is to succeed. But we all have to start somewhere, of course, and this is my first crack at anything like this.

The Beta 24 has a Start Date and an End Date 12 weeks later. It's a structured approach with Weekly Goals that also serve as a Tutorial process through the Rules System as well as the Mythos Machine.

The Beta 24 Results

The survey responses, when they came, were actually quite useful and interesting. To date, no one has responded on the Forum, nor even logged in to look at it. The Google+ Community has gotten a tiny smattering of input from the Beta Testers, and that has been mostly comments like "I'm not sure how to find your site... I can't find the original email". That point is interesting as it illustrates a core problem - when I sent out my communications, regardless of the medium (email, forum, or via Google+ Community) if they didn't respond right away, then the communication vanished into the miasma and is not longer findable. Naturally, with emails, people simply delete them. With the Forum, no one logs in (I suspect that is because logging in to something represents a hurdle, and no one wants to bother with a hurdle). The Community has the problem that Google designed it to be Stream-Of-Consciousness... and so stuff gets lost in the miasma by design. It's a poor medium by which to try to store organized information.

At the end of Week 3 I postponed the announcement for Week 4, because by Week 2 it seemed I only had a trickle of responses (5 out of 24), and Week 3 resulted in 0 responses. To the left are the results thus far. Two of the responders, by the way, are insider friends of the project. I also know that the Beta Testers downloaded the rules book, and when I posted that I had upgraded the rules, pretty much everyone downloaded the upgrades. So they are listening... but not commenting or providing feedback, which I find very interesting and is actually a significant piece of feedback in itself, not about Elthos RPG, but about the Beta Test. Please note - this is an observation, not complaint. I hold myself responsible for the outcome of the Beta process.

From a responses perspective this has been somewhat disappointing, if not completely unexpected. I found from my queries to the community that generally speaking, Beta Tests often have these kinds of results.

That said, the positive news is that I've learned a lot from my experience with Beta 24. I can see there are a number of hurdles that I need to overcome to get a good solid beta going. This is what I'm concluding.

1) All messaging needs to be short, relevant and to the point.
2) Having too much structure hampers the process. The time frame and weekly goals creates too much overhead, and an impression of too much work.
3) Google Communities is fine for informal chatting.
4) The Forum is not that useful.
5) Surveys have worked pretty well.
6) Any reward system needs to be clear and simple.

So as far as learning important lessons from Beta 24 goes, it's been a big success. I'm gong to work on all of that, and I think I will soon transform the Beta 24 into a Rolling Open Beta which will resolve these issues.

Open Rolling Beta

The Rolling Open Beta idea is to allow people to come in as Beta Testers any time by creating a Beta Test Account, with "Beta_" in the name. So "Beta_JohnDoe" would work. With this they will be directed to the Instructions for the Rolling Beta, which is the Weekly Goal framework, with video tutorials on the Mythos Machine goals. The entire system would work as a tutorial for the Mythos Machine, while soliciting feedback in exchange for Awesome Points. The Weekly Goals would be renamed "Part 1", "Part 2", etc, so that there is no time pressure. People can go through the Beta-Tutorial program as quickly or slowly as they wish, and use it either as a Tutorial system, and / or Beta Test where they can gain Free Service (or other possible goodies, tbd) in the form of Awesome Points. The question that I have about this model is ... what is the difference between coming in as a Beta Tester, and just being an ordinary user? I mean if I'm assigning Awesome Points for feedback, why not allow ordinary users to also get Awesome Points for feedback? Well, the reason why is because everyone would then simply write in any feedback and get Free Service... so that wouldn't work. A Beta Tester has a Beta Account... and that's specific to the Beta Test... hmmm... well, as you can see - I'm still in the process of brainstorming on this idea. The details need to be worked out.

Further reflections...

The more I think about it the more it seems that the problem at its root is that people do not want to deal with anything complicated, and they want to get things for free. This of course runs against the need of the game designer to get relevant feedback.

Ultimately, the simplest form of feedback is whether or not people use your product. If they use it, that's positive feedback. Most people will not say one way or another if they like or don't like a product. They have no obligation to do so, and most people resent being asked to do so without some sort of reward. They will, however, be likely to complain if something is broken.

Given this - I'm almost persuading myself that the effort going into trying to set up and conduct Beta Tests is actually something of a waste of time and effort, and has a tendency to be disappointing (as I've heard from other designers who I have queried about this). How much of the information we get back is actually all that useful? Maybe not much.

Perhaps the better way to go is simply put the product out there and offer a feedback mechanism that lets people, should they wish to do so, offer feedback. The true feedback in fact is the simple binary... are people using the product?

And for those who use it, if they like it they probably won't comment. If they don't like something, or want to see an enhancement, or found a bug, they may well comment. The reason why... because if they are using the thing, it's because they find it compelling enough to use, and if they find a flaw they probably would like it even better if it's fixed. Hence they are fairly likely to provide feedback at that point.

I'm not sure if that all makes sense or not. The question is the Effort / Benefit ratio. There is obviously benefit to getting feedback. But how that feedback comes in, and whether or not I attempt to provide an orgainzed process for collecting feedback, or let feedback simply come in as it may ... That is the question.

What do you think?