RPG-Moms?

I was describing to a friend the other day what the Elthos RPG is about and why I created it. Her response was really interesting. After I had said that it was a rules-light system designed for easy play and freedom to create your own worlds, she said that her it's the sort of thing her mom would be excited about. Apparently her mom is an artist type who finds the concept of RPGing really interesting, and likes to play, but is just not that into the game mechanics aspect (at all). Too much math. Too hard to remember. Too much work. But she likes the collaborative story making aspect. Gee... maybe there is a market for rules light games among ... Moms? Hey ya never know.

Workshop #3 - Character Development

On Sunday, spontaneously as it happens, we had another Gamesmaster Workshop on IRC at the MagicStar network. It was once again a lot of fun, and really good practice. We ran the workshop for four participants and had a couple of lurkers who wanted to scoop the logs. The way I run it each participant gets a Trope, in this case a standard NPC, such as "The Black Knight", or the "Paladin of the King", or "The Whimsical Flute-Girl" (I tried to create mostly standard tropes, but threw in a few oddballs to illustrate the diversity that I think Worlds can benefit by). We have a bot in the Channel named Igor. He's great. What he does is randomly select a trope and then send it to the participant so that no one else can see which one is selected, including the moderator. This makes it more fun as we don't know what we're up against. Once Igor sends the trope then the participant gets 5 minutes to think about how they want to frame the scene and describe the character. When they're ready to start they type (Start) in the channel and then send off the three or four sentences to us. When they're finished they right (done) so we know it's our turn. We, the peers, act as a pseudo party and discuss what we think we should do. We spend a few minutes (at most) in deliberation and then decide to do xyz. The GM then gets 3 minutes to compose a response and types (start) and sends the description back to the channel, and then writes (done). The moderator then writes --- Critique ---!!! and we discuss. Comments, criticisms and suggestions go on for a about five minutes. We then move on to the next participant who acts as GM and do the same. We do this until each of the four participants gets a turn. For four of us it takes about an hour. And its a LOT of fun!

For more information regarding how the Workshops are run please read GM Workshops on IRC. More will be coming along as time and resources permit. We schedule these through the LRGPSW Meetup on Meetups.com.

A Few Deadly Traps

I was watching some old and wonderful kung fu movies from the Shaw Brothers, and stumbled on The Five Venoms series. And now, introducing, a few deadly traps from The Kid with the Golden Arm.

The Poison Needles - Having come to a logical resting place in the wilderness midway or so between the two towns our hero's men have a seat. Only to die. The wooden logs are invested with scores of poison needles that cause instant death. No crying out, just sit and die. Mean. Stepping forward on the path to get away from that spot was a bad idea however. Two more die. The ground itself is also peppered with poison needles. Very mean.

The Poison Water Bucket - Having made it to the next town our heroes find it quite empty of citizens. They've been chased away by the rival gang. And the entire town has been booby-trapped. After a long journey over rough terrain it's time to quench your thirst at the town inn. But only if you want to die. The water in the buckets has been poisoned. Damn. Two more henchmen lost.

The Poison Torch Holders - In the town's main inn our heroes think that all is well since they are going to eat only their own food, and drink only their own water... and even use only their own torches. Little do they realize but the torch holders themselves are the trap. The metal of the holders has a bi-thermal element which heats up and expands - releasing the holder's hollow tube and the deadly red-gas sprays into the room. A nasty and repulsive death for those who can not leap out through the windows fast enough.

The Poison Chests - It's not what you think. The chests do not have poison needle locks. That would be too obvious. The entire chests themselves are poisoned and anyone who touches them dies a horrible agonizing death. Mwahahahaha.

Now I'm not saying that Gamesmasters should flood their worlds with deadly poison traps. But having a few available for special occasions such as when the government gold supply is being brought to the famine wracked town, can be a very handy way of weeding out the henchmen from the Heroes. Arch-villains can be ruthless, you know.

The Skill of Improvisational Narration

While most Gamesmasters know to give descriptive narratives, it is nevertheless a particular skill that has a number of components worth thinking about.

1) Descriptiveness. It's really great if the players can get a full view of the scene being described and at the same time get a feel for the mood and features of the scene as they encounter it. For example, if they come upon a scene in which there is action, describing it in the blur of motion is great. Whatever the elements that the GM gives in the narrative should provide information that the PCs would normally focus on - ie those things that might cause them to decide to do one thing over another.

2) Brevity. It is good to pack as much information into as few sentences as possible for the introduction of the scene. Notice that in the example cases we get a sense of the weather, the lighting, sounds, smells, and the terrain.

3) Suspense. It is good if you can convey at the same time enough implied or actual tension in the scene to cause the players to be concerned, either for their safety, or perhaps some moral hazard.

4) Speed. Usually during a game the GM does not really have a lot of time to think about how to phrase what the Players are encountering, especially if the GM is running his or her World in "Sandbox" mode and the PCs wander off into not very well defined terrain.

5) Accuracy. It's important for the GM to keep their facts straight, and if there are particulars such as names of things, often the GM will not have time to look them up. So the next best thing is to use more generic common terms. However, it is important to keep the scene cohesive by not introducing wrong-facts (unless it's an illusion or some such, of course). Probably the most important impression to give the Players is an accurate depiction of where they are in relation to the environment (are they far away or close by? Is the door near them open or closed? etc) so they can make well informed decisions as to where they go and what they do.

6) Interest. Of course perhaps it goes without saying, but each scene should present something interesting in some way. Even a mundane situation such as wolves stealing birds from the hen house can be made interesting by good GMing. And that's important to remember.

Good narrative is what brings your World alive to the Players. Don't short the process, I say! And be willing to stop the action and take a minute or two to think about how you want to introduce a new scene to the players if you need to. That's my advice.

LRPGSW GM Workshop

In ancillary news we had the first Gamesmaster Workshop through the Literary Role Playing Game Society of Westchester. The subject of the Workshop was "Improvisational Narratives" for Gamesmasters. Initially we planned this as a live activity through the local meetups at the Cobblestone Tavern. Then it was suggested that we try this on IRC as well. So I selected the MagicStar network, posted a notice or two on theRPGSite and the LRPGSW Meetup & Yahoo Group, posted a request for scheduling preferences on www.doodle.com, and voila. I was very happy with the results.

Here are the original GM Workshop Instructions.

We had four participants, which was just right for a one hour Workshop, as it gave us each 15 minutes for the exercise. We also had a few lurkers who wanted to watch the proceedings. The event was fast and furious and a lot of fun. And I think we all got something out of it. So we'll be doing those on a regular basis, and they will be scheduled through the LRPGSW Meetup Site, in case you want to follow the scheduled IRC activities.

So that was a lot of fun. My thanks to the participants and observers. I look forward to the next one.

Errors, Bugs & Final Polishing

Ok Ok! So there were a few bugs that needed to be squashed, and that's to be expected. And of course there were a few minor issues with usability, but nothing too serious. And of course I wanted to make the look and feel a little nicer around the edges. So... I'm almost there. But not quite. Still some polishing to be done, and I'm going through the application page by page starting with a New User, creating a New World, and then proceeding methodically through each page in the application to make sure everything is ship-shape, all the numbers tie, and all the fuctions work as smoothly as possible. There'a lot there, so it's something of a large and tedious job, actually. But no matter. It must be done, and I must do it.

Overall, the application is working exceedingly well. But I'm a perfectionist and I hate to release something that has any flaws. So I'll fine-tooth-comb this for a little while longer. A week? Maybe. A month? Could be.

And then I will load it online.

But then what?

That's the question of the year for Elthos RPG.

All Systems Go

Having resolved the complications of the logon method I've gotten everything up and running well enough to release Phase II to the Online server. That will be a big milestone for the Elthos Project! Soon, most likely this week, I will be sending out a few discrete requests among friends-of-the-Project to do some closed beta testing, looking for obvious bugs and issues, and getting people to look at the system for the first time and provide feedback. I'm looking forward to this. But most of all I'm looking forward to having it online so that I can start to actually use it! That, my friends, will make me very happy indeed.

Also in the works, I sent on the Final Revision Request to my artist who is working on the Elthos Tarot Deck, which is the key to the Cosmological Map of the World. That took a lot of work, getting friends to review the cards and provide their thoughts, and then look over the entire mass and decide which recommendations I want to definitely ask for, and which ones I want to leave up to the artist. This is a arduous process, but in the end we'll have a great looking Elthos Tarot Deck. What for, you ask? Well, its a little complicated, but in a nutshell the Elthos Tarot is designed to help Gamesmasters keep the symbolism within the World coherent. It also provides some other uses, which I'll get into another time.

All in all the progress is good.